Soo...I have brief analysis A- Jerry Gray and Eddie de Lange's "A Sting of Pearls"
msr. 11: I add 6
msr.12: iv65; bII7; ii; I7
msr. 13: IV; IV65
There is some interesting chromaticism in measure 12 with a D7-Db7 chord. It's kinda awkward, but it works for the song. The use of the major flat II and the minor ii give this transition measure a different feel. It ends with an incomplete sounding E chord with the B resolving up to the C.
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