tag:blogger.com,1999:blog-10416963.post5210625085975540895..comments2023-10-18T23:01:58.336-04:00Comments on Form and Analysis: Extended Analysis AScotthttp://www.blogger.com/profile/01286095156825716887noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-10416963.post-88774580298656871742008-02-08T11:46:00.000-05:002008-02-08T11:46:00.000-05:00See my comment in Kelly's post about m. 64 as an a...See my comment in Kelly's post about m. 64 as an avoidance of the cadence, extending the phrase.<BR/><BR/>Good point about the suspensions. THe odd chord in m. 70 is a V7+/IV, we will be talking about these altered dominants later in the semester. The odd chord in measure 71 is viio7/V, which resolves to the cadential 64 in 72.<BR/><BR/>Good interpretation and nice performance ideas.Scotthttps://www.blogger.com/profile/01286095156825716887noreply@blogger.com