tag:blogger.com,1999:blog-10416963.post2129101153150928773..comments2023-10-18T23:01:58.336-04:00Comments on Form and Analysis: I can't hear the bass, but I can hear the pickerelScotthttp://www.blogger.com/profile/01286095156825716887noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-10416963.post-91342835818544712732008-02-08T10:12:00.000-05:002008-02-08T10:12:00.000-05:00In your second paragraph, what do you mean by "sub...In your second paragraph, what do you mean by "substance"? The rest of the paragraph makes sense as a good explanation of how Beethoven develops the rhythms of this theme. But the second complete sentence doesn't seem to fit.<BR/><BR/>I like the comparison of the two performers. But I need more detail in your third paragraph. Explain exactly how the m. 4 statement is developed in m. 23. And what about all the marvelous mode mixture in the first 13 measures, which get repeated in variation at the recapitulation? <BR/><BR/>Monteiro isn't playing a period instrument. Here again, delve deeper into how the sound was distracting, and where exactly the performer was too free and flowing (give at least one example).Scotthttps://www.blogger.com/profile/01286095156825716887noreply@blogger.com