tag:blogger.com,1999:blog-10416963.post1894223680324996947..comments2023-10-18T23:01:58.336-04:00Comments on Form and Analysis: Analysis CScotthttp://www.blogger.com/profile/01286095156825716887noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-10416963.post-20324544400264672652008-03-03T10:53:00.000-05:002008-03-03T10:53:00.000-05:00M. 45 is the Neapolitan chord, adding extra power ...M. 45 is the Neapolitan chord, adding extra power to the words, plus the highest note in the voice. THe chords at mm. 44-45 are V7/IV - iv - V7/bII - bII - bII6. You are right that they are not an ending, pointing forward to the dominant at m. 46 and it's resolution at 48.<BR/><BR/>Be careful to note the chord qualities, thus identifying modal mixture (m. 42) and secondary dominants (V7/IV instead of the I7 chords).Scotthttps://www.blogger.com/profile/01286095156825716887noreply@blogger.com