tag:blogger.com,1999:blog-10416963.post1310205477449227397..comments2023-10-18T23:01:58.336-04:00Comments on Form and Analysis: Brahms Take Two!Scotthttp://www.blogger.com/profile/01286095156825716887noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-10416963.post-57653246052844670032008-02-29T11:59:00.000-05:002008-02-29T11:59:00.000-05:0036: ii65 V7/IV39: V iii41: vi V7/IV42: IV iiø43 ...36: ii65 V7/IV<BR/>39: V iii<BR/>41: vi V7/IV<BR/>42: IV iiø43 (no Fi)<BR/>43: I64 V7/IV<BR/>44: iv V7/N<BR/>45: N N6<BR/>All of the I7s you list are V7/IV.<BR/><BR/>Give more details on how Brahms approaches a climax at 28, and what it has to do with 33-51 (the assignment). Where is the climax in this section? 45 echoes 30, but up a half step for the powerful Neapolitan. Good performance thought.Scotthttps://www.blogger.com/profile/01286095156825716887noreply@blogger.com