tag:blogger.com,1999:blog-10416963.post110782919672664299..comments2023-10-18T23:01:58.336-04:00Comments on Form and Analysis: Mozart Piano Sonata in F major, K. 332, m. 41-56Scotthttp://www.blogger.com/profile/01286095156825716887noreply@blogger.comBlogger7125tag:blogger.com,1999:blog-10416963.post-42678578033133330942012-05-19T20:55:58.374-04:002012-05-19T20:55:58.374-04:00Thanks for the insight, Jimbo. Everyone, give the...Thanks for the insight, Jimbo. Everyone, give the guy a break. He obviously knows it's a sonata and not a concerto. Just look at the title of his entry. Also, no F tonality in a piece titled Piano Sonata in F Major? Interesting...Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-10416963.post-34551567976258773112011-06-02T17:39:16.768-04:002011-06-02T17:39:16.768-04:00I agree this is a very inaccurate analysis. First ...I agree this is a very inaccurate analysis. First of all, you call this a "well known Mozart Piano concerto" which is wrong- it's a sonata.<br /><br /> In addition, the two eight bar phrases are not "totally different" an in fact share the same basic outline. Bars 41-42 repeat E three times before jumping up to G, meanwhile bars 49-50 also stress E with some mild ornaments (the D#s that lead into E and the F# that approaches G). One could easily call thee measures a 16 bar period divided into two similar phrases of eight bars each.<br /><br />Then you mistakenly say that the 2nd phrase ends (mm. 55-56) with an imperfect authentic cadence. It is actually a perfect authentic cadence because the bass has root motion from 5-1 (G-C) while the top voice resolves by step from 7-1 (B-C).Chrisnoreply@blogger.comtag:blogger.com,1999:blog-10416963.post-61883994103573021512010-02-23T22:21:52.043-05:002010-02-23T22:21:52.043-05:00If C is the dominant, F would be the tonic. There ...If C is the dominant, F would be the tonic. There is no F tonality in this piece. It starts in A minor and ends in A major. This is not a very concise analysis, considering you are at a music school.Carahalliehttps://www.blogger.com/profile/16909190683395082039noreply@blogger.comtag:blogger.com,1999:blog-10416963.post-24603927850497346322010-01-25T13:45:46.848-05:002010-01-25T13:45:46.848-05:00wow. this is first of all not a very precise analy...wow. this is first of all not a very precise analysis and second a pretty poor one too.<br />An Analysis for me includes that you can say a bit more about a piece than that it has crescendi and decrescendi.<br />At the parts where you tried a bit of an analysis you just horribly failed- sorry mate.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-10416963.post-66371397671516656882009-10-19T12:27:26.994-04:002009-10-19T12:27:26.994-04:00I'm curious why you referred to the sonata as ...I'm curious why you referred to the sonata as a "piano concerto"; a concerto would involve orchestra parts.Missynoreply@blogger.comtag:blogger.com,1999:blog-10416963.post-10263902774341097852008-12-16T13:26:00.000-05:002008-12-16T13:26:00.000-05:00Hey. I'm laying this piece for my G8 exam and for ...Hey. I'm laying this piece for my G8 exam and for Haberdasher's scholarship and you gave me some very helpful stuff.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-10416963.post-28830077364797586022008-03-01T11:44:00.000-05:002008-03-01T11:44:00.000-05:00There is two phrases between 41-56 is there?There is two phrases between 41-56 is there?Anonymousnoreply@blogger.com